O‘TMISHDAN HOZIRGI KUNGACHA GITARA CHOLG‘U ASBOBINING YASALISHIDAGI O‘ZGACHALIKLAR
Referat
Tarixiy davrlar davomida koʻplab faylasuflar, davlat arboblari musiqaning hayotdagi oʻrni va ahamiyatiga eʼtiqod qilib kelgan va o‘z quvonch va qayg‘ularini kuylar orqali ifodalagan. Har bir xalqning o‘ziga xos musiqasi va cholg‘u asboblari bor. Musiqa taʼlimining muhim yoʻnalishlaridan biri bu cholgʻu asboblarini oʻrgatishdir. Ushbu maqolada gitara cholg‘u asboblari tarixi haqida so‘z yuritiladi. O‘zining chuqur ildiz otgan tarixi, polifonik musiqaga yaroqliligi, ovozining go‘zalligi bilan vaqt o‘tishi bilan mashhur bo‘lib ketgan gitara, o‘tmishdan hozirgi kungacha havaskor musiqachilar tomonidan tez-tez tanlanadigan asbob hisoblanadi. Ushbu tadqiqotda adabiyotlarni ko‘rib chiqish usuli qo‘llanildi. Tadqiqot jarayonida gitara boʻyicha adabiyotlar (kitoblar, maqolalar, tezislar, maqolalar, internet resurslari) oʻrganilib, gitara cholgʻusining tarixiy rivojlanishi haqida maʼlumotlar berildi.
Kalit so'zlar:
Mualliflar haqida
Adabiyotlar ro'yxati
Annala, H., & Matlik, H. (2007). Handbook of guitar and lute composers. Mel Bay Publications Heck, T. F. (2004). The birth of the classical guitar and its cultivation in Vienna, refleccted in the career and compositions of mauro giuliani [Doctoral Dissertation, Yale University]. Scribd. https://www.scribd.com/document/241086509/
Ko, Y. F. (2009). An analytical and comperative study of franciso tarrega’s two volumes of guitar studies [Doctoral Dissertation, Ball State University]. Scribd. https://www.scribd.com/doc/248114641/
Madriguera, E. (1993). The hispanization of the guitar: From the guitar lattina to the guitarra espanola [Doctoral Dissertation, The University of Texas].
Morris, S. (2005). A study of the solo guitar repertoire of the early nineteenth century [Doctoral Dissertation, Claremont Graduate University]. Scribd. https://www.scribd.com/document/685282743/
Murphy, M. D. (2006). Elements ofstyle in french baroque guitar music: A survay of the printed sources [Doctoral Dissertation, Shenendoah University]. Shenendoah University.
Pennington, N. (1979). The development of baroque guitar music ın spain, ıncludinga commentaryon and trancription of santiago de murcia’s “pasacalles y obras”(1732) [Doctoral Dissertation, University Of Maryland]. ProQuest.
Russell, C. H. (1981). Santiago de murcia: Spanish theorist and guitarist of the early eighteenth century (with) volume two: Transcription and translation of santiago de murcia’s complete works [Doctoral Dissertation, University of North Carolina].
